Each morning begins with a stroll through Alfama, climbing to this vista or that. The people of Alfama are not blessed with good humor and do not naturally make eye contact with outsiders. They do seem grateful to be able to get up and do a day's work, or to greet their neighbors on their way to the corner store. Outside my tiny windows after midnight I can recognize some of their voices without peeking: The washroom attendant delivers a searing staccato of insults when she has been slighted, and the local madman howls for deliverance. When dogs need to be wrangled, the restaurant workers at Antu Alfama take up the mantle. But the conversations that stick with you ―the ones that escort you to dreamland ― are tender, muffled exchanges that seep almost transcendentally through the walls from unknown directions. These murmured confidences continue until about 5 a.m., followed by two hours of true silence before the wagtails and sparrows awake. What you never hear in Alfama, an unpre
I just wanted to get in the door marked "Europe." Lisbon is great, but I'd be equally happy in Split or Bucharest or Lubeck, were the fare as reasonable. The blood and soil of a place, its creeds and ancient loyalties, are not intrinsically interesting. The castle on the hill behind me was really important to people trying to stay alive 800 years ago, but it's just a bilheteria and a turnstile today. Now, when a shady art collector like Calouste Gulbenkian wants to serve up his collection on any number of leopard-spotted, hyacinth-embossed platters ― this is when things get interesting. Bring it on. I am a porous visitor, here to soak up the continent. He was a strange dude. The day after the Earl of Carvanon died in 1923, Gulbenkian was on the phone trying to scoop up his collection of antiquities. A prominent art dealer reminded him the body was still warm. Gulbenkian was born to a family of wealthy Armenian kerosene merchants in Istanbul. Under the tutelage of a